04/08/2026
The Conscious Arts Retreat runs across two editions this season, and for the first time we're bringing in two distinct movement teachers, each guiding daily morning sessions through the week. Different
practice, different approach into moving the body.
Alongside the movenent practice:
A journal stitched from scratch with Aissa on day one, ready to hold whatever the week leaves in it.
Ceramics with Ana, hands in clay building vessels and decoration.
Silversmithing with Eloïse, wax carved into pendants before it's cast in silver.
Massage, full board, five nights in stone cottages or glamping tents, and a trip down to the Rio Zêzere for a swim.
Have any questions before deciding which week is yours? Send us a message or go through the link in our bio to book your spot
Aissatu Seidi is a Portuguese artist of Guinean descent whose practice spans across photography, collage, drawing/painting and hand bookbinding.
Trained in Paper Conservation in London, she worked with archival collections and works on paper — a craft that taught her that repair is a language. Today, she applies that language to repairing the archive: recovering and rewriting the memories of Black women and diasporic communities.
Creator of Nómada Notebooks, she produces living, portable archives — handmade notebooks made from recycled materials — and leads public workshops on self-representation and belonging. Her work explores mobility, memory and sustainable methods.
Ana is a ceramic artist whose practice explores the relationship between material, observation, and everyday ritual. After years studying drawing and painting, she was drawn to clay for its ability to become part of daily life with objects that are held, used, repaired, and passed on.
Working from her studio in Vale de Moses, Ana creates small-batch functional ceramics with a focus on form. She draws inspiration from the flowing lines of Art Nouveau, tea ceremony wares, the organic world, and an ongoing exploration of ceramics as a three-dimensional diary of lived experiences.
Alongside her studio practice, Ana teaches with an emphasis on curiosity over perfection. She sees clay as a material that cultivates observation,