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Monday 9am - 5:30pm Tuesday 9am - 5:30pm Wednesday 9am - 5:30pm Thursday 9am - 5:30pm Friday 9am - 5:30pm Saturday 9am - 5:30pm

Greenwood Cinema Rentals

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United States
Brooklyn, NY
Greenwood Cinema Rentals

A one-stop shop for camera, lighting, grip, trucks & van packages, production supplies.

Our goal is to provide modern storytellers, film productions, and image makers the resources the execute their artistic endeavors. We have been providing cutting edge equipment, extremely competitive pricing, and fast, reliable delivery to the Brooklyn / New York City community for the last 5 years. We seek to create positive experiences on set and allow creative collaboration from every member of

a production. We work with budgets of any size and are open to accommodating our schedule to your production needs. We are a team of producers, technicians, and creative problem solvers who are looking to assist with your next production!

03/13/2026

✨Zero Optik Nikon Nikkor SIC FF Lenses✨

Introducing the first set of Nikon SIC “Super Integrated Coating” prime lenses in the area! These vintage primes have been beautifully rehoused by and are ready for your next production. Familiar to most as the Nikkor AI/AI-S series, these primes have been around since the 1970s in the 35mm stills format, yet not all of these Nikon lenses are made alike.

This set has been curated and matched across all focals to ensure they have the Super Integrated Coatings which provide you with cleaner blacks, stronger contract, more neutral color balance and more resistance to ghosting. Some of our favorite focals are the 15mm with its incredible rectilinear features, the 20mm with its sharpness and resolve, the 35mm with its layered bokeh and tremendous falloff and the “Space Chasers” 58mm Nokt with perfect combo of major character and sharpness.

We highly recommend anyone try these out on 35mm film and for bookings contact [email protected]

03/06/2026

NEW: Laowa 8-15mm T2.9 FF Fisheye Cine Lens

Shot the ARRI Alexa Mini LF Open Gate 4.6k
This brand new Fisheye lens from Laowa brings out immersive and unique shots to any creator’s arsenal. What makes this lens special is the ability get the “porthole” effect at 8mm and then zoom into the full frame effect at 15mm. Image slightly vignettes in Open Gate LF but is clean on 9:16.

For bookings [email protected]

01/08/2026

🌟NEW LED LIGHT MATS, COBs & REFLECTORS 🌟

We are excited to show off our new inventory for filmmakers and creators. We’ve tested and believe these LED units are reliable and efficient fixtures for all categories of production. Godox’s IP65 rating and Bluetooth/protocol support are advancements that have turned our heads.

Featured products are as follows:
- F100R 2x1’ / F200R 2x2’ RGB LED Flexible Light Mats
- F400Bi 2x4’ Bi-Color LED Flexible Light Mats
- MG1200R RGB LED Monolight + BeamLight Max60
- F400R 2x4’ / F800R 4x4’ RGB LED Flexible Light Mats
- AT200Bi Bi-Color Air Soft Tube (incredible versatility)
- MS60R RGB Light (equivalent to an RGB Dedo with projection attachments, softboxes, reflectors)
- LiteFlow Reflectors from 3x3” to 40x40” (similar to CRLS Lightbridge)

For bookings [email protected]

07/11/2025

🔬 X-Tract 18-28mm T8 FF Probe Zooms ✨

The new DZOFilm X-Tract Probe Zoom lenses have arrived and in each variety: the new 360° version which has periscopic view, 0° direct view and 90° right-angle view. We are among the first in NYC to receive all three versions and they are ready for your next production!

These lenses are an evolution to other probes in the market, especially due to the ROTATING RING which allows you to basically barrel roll the entire lens with great control. Each lens has an extremely close manual focus of 0.24” and is suited for large depth of field shots at its T8 max aperture.

Optically the lenses are perfectly parfocal allowing you to do DOLLY ZOOMS at the macro level, even underwater if needed. Although the zoom is technically very wide for FF, the lenses have ±2% distortion control! This is crucial for a wide angle zoom as many FF zooms suffer from distortion differences through the range. Creep zooms at the probe level is now possible!

Each lens comes with different O-Rings which allow you position lens supports anywhere in the system. Additionally each lens comes with a front UV filter as a way to protect the front lens element from any debris, blood, spit, water or gunk that comes its way.

06/27/2025

The wait is over, the Bolex H16 EBM S16 Film camera from is here! 😏

Finally the Bolex on steroids comes outfitted with fully internalized power through the micro gold mount plate, 3-Pin R/S port, R/S Rosette Handle, HD IVS Tap with SDI port, and 2-Pin Power Ports on the rear and operator side. OFG Customs also upgraded the 15mm LWS brackets to feature a smaller, lighter setup and improved thumb screws for quicker adjustments and a tighter lock.

Additionally, the custom battery plates now include integrated crystal sync for 23.98, 24, and 25 fps — ideal for syncing to playback during music or vocal shoots. This may be the smallest and lightest Super 16mm film camera available with crystal sync and a modern video tap — to be used with a number of different setups due to its size. Paired with the custom 15mm LWS rod support, it easily accommodates matte boxes, follow focus systems, and accessories.

We have a number of prime and zoom options for S16.
Lenses featured are the Elite MK-IV 6.6mm, Century Optics Series 2000 4.5mm and ARRI Ultra 16 6mm.

06/20/2025

2-PERF and 3-PERF AATON PENELOPES 🎞️🎞️🎞️

The first 35mm motion picture camera designed as a switchable Techniscope 2-Perf to 3-Perf 1.78:1 is here to stay in NYC. Greenwood Cine is proud to announce that we have two Penelopes with 2-Perf and 3-Perf movements. No need to wait to switch up movements!

Want to shoot in 2-Perf? Get up to 9 minutes of runtime in one 400’ Magazine with the 2.35:1 Ground Glass (twice the runtime of 4-Perf). Want to shoot in 3-Perf? You’ll be able to get almost 6 minutes of runtime with the same 400’ Magazine.

The Penelope has a sharp bright viewfinder, a truly flicker-free progressive video tap (SD and HD) and is whisper quiet compared to other 35mm motion picture cameras. We have D-Tap power solutions for all your accessories and their native batteries will run longer than you think. Movies shot in the 2-Perf format with Aaton Penelope: The Fighter (2010), First Man (2018), Sound of Metal (2019).

Weighing 17 lbs, the Aaton Penelope is a ready to give you the long-established quality of 35mm film with the mobility of a Super 16 camera. These cameras are extremely rare and we are happy we are able to offer these to filmmakers and creatives in our area.

03/28/2025

After a long hiatus, the Minolta Rokkor Rehoused are back and ready for your next production!

Our current Minolta lineup covers wide selection lenses, both MC and MD versions, starting from the latest 17mm, all the way up to 200mm. These full frame still lenses were produced in Japan in the 60s and 70s. Now 50 years later, Minolta Rokkors are now available to filmmakers for cinema use, thanks to the customized GL Optics Mark 5 cinema housing.

As many 35mm photo shooters know these full-frame still lenses have stood the test of time. Designed for cinematographers seeking rich, vibrant imagery with incredible clarity, these lenses also introduce subtle texture, adding a unique vintage character to every shot. Like Canon Rangefinders, Canon FDs and Olympus OM primes, they produce stunning, expressive flares that surpass those of modern lenses. Their lightweight construction and advanced focusing system make them an essential tool for filmmakers.

This 12-lens collection features 110mm fronts, PL mounts, consistent gear positions, a 330-degree focus throw, newly designed circular irises, and significantly improved close focus on most focal lengths.

For bookings [email protected]

Frame credit: “Deeply in Love” by Role Model
“Neon” Season 1 Trailer Netflix
“Catch Me” McKenna Grace

03/10/2025

⬆️ REHOUSED LOMO SQUARE FRONT 2x ANA ⬆️

Improved close focus, clip-on matte box friendly, standard focus/iris gears is the reason why our rehoused LOMO Square Front lenses are the top of the line mechanically in vintage anamorphics. We recently received these new rehoused lenses which are modern mechanically, but retain their classic characteristics - making them reliable for contemporary filmmaking. These lenses are ideal for creating a nostalgic and artistic look on modern productions.

Lenses include the 35mm faster version (T2.5) and 50mm, 75mm (T2.4) - both with a 114mm outer diameter which work amazing with clip-on matte boxes. The classic anamorphic look including the oval bokeh, horizontal flares, and unique vintage warm tone are reasons why these lenses have stood the test of time.

Now with the enhanced mechanics, iris pulls are easy to accomplish which were not possible with the unrehoused versions - and you can viably pull these lenses by hand they are that smooth. The 50mm has improved closed focus by around a foot as well! For bookings [email protected]

02/27/2025

COOKE SP3 FF PRIMES E & M MOUNT 😍

Who’s ready to bring compact modern mechanics to cameras like the Ronin 4D, FX3 as well as Alexa Mini LF and Alexa 35? We are!

Boasting 6 focal lengths from 18 to 100, the full frame SP3 lenses are perfect for gimbal and drone use. This is Cooke’s first endeavor into mirrorless size lenses and they’ve assured that their lenses are capable of matching their Panchro/I lenses.

Along with the interchangeable mounts and tough anodized shells, all lenses share the same focus and iris mechanics, which allow for easy lens changes and less fussing with motor positions. Cooke also boasts about the SP3’s ability to “organically captures specular flaring and veiling glare” which paired with their single coating - give cinematographers the Cooke look in small form factor.

All lenses come with Duclos step up rings, capable of fitting a 80mm back Matte Box or 77mm threaded filters. Don’t be afraid to ask to test this set with any E Mount camera or ARRI camera in M Mount.

For bookings [email protected]

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12/13/2024

FUJIFILM GFX 100 II Medium Format Mirrorless Camera 📷 camera kit built for filmmakers with PL and LPL mounts.

Coming in at a staggering 43.8mm x 25mm sensor size in 17:9 4K UHD - the GFX 100 II is an evolution in beyond full frame format. Along with a stellar OLED EVF, the camera has the ability to record uncompressed 12-bit externally to an Atomos Ninja Ultra monitor, shoot 60 fps in 4K and even desqueeze 8K Anamorphic (albeit with a 1.24x crop).

Blackwing Tribes, Speedboosted Mamiyas, Kowa Rs, Mercury Anamorphics, Leica Rs, Arles are some of the lenses that fully cover the GFX among most focal lengths. Although it is a medium format camera, it is as big as 65mm which doesn’t open the door for some non-65mm focal lengths to cover!

What we’ve doing to clarify this is add the image circles of all of our lenses to our website! We also notate which focals of a certain set cover the GFX 100 II / ETERNA. Note: Ø45.0mm image circle or bigger is recommended for this format but please always test as vignetting may appear close to infinity that does not appear at close focus!

To round out the kit we’ve included a MID49 Camera Cage which allows access to the OLED EVF and EVF Tilt Bracket (unlike other cages), MID 49 Lens adapter support (eliminates mount play), XLR Audio Breakout, Micro Gold Mount Plate, PL Mount, LPL Mount and the optional Ninja Ultra 4K Recorder Monitor.

Available for bookings [email protected]

🎬

11/29/2024

Blackmagic Design PYXIS 6K

A Rehoused Lomo Square Front Anamorphic and Rehoused Canon FD lens dress the new iteration of the Blackmagic Full Frame camera line, but this time finally in an ergonomic “box” shape style.

A couple features include Open Gate 3:2 shooting (something even the SONY BURANO doesn’t have), robust aluminum body (improvement over pockets), the new addition of a new 5” external monitor (still backordered 😭), dual 12G SDI port, Ethernet connectivity, and 13 Stops of Dynamic Range.

For our kits, we have L-Mount bodies with the ability to switch from PL to EF easily. We went with MID49 Cages which allow lens adapter support rods in order to get rid of unwanted play in the mount. Cameras also come with the side cage and A-Box, Core SWX Micro Gold Mount Plate or IndiPro Sony NPF to V-Mount.

We also stock the M-Series U98X batteries which can be natively used with the body and give you 1x USB-C Power Delivery & Charging and 1x 12V SMBUS D-Tap Accessory Port.

Although the rolling shutter and dynamic range are not exceptional, the price point definitely makes it a worthwhile contender in the Sony FX3/FX6 space and is Blackmagic’s most versatile camera body to date!

For bookings contact [email protected]

Address

65 19th Street #3D
Brooklyn, NY
11232

Opening Hours

Monday	9am - 5:30pm
Tuesday	9am - 5:30pm
Wednesday	9am - 5:30pm
Thursday	9am - 5:30pm
Friday	9am - 5:30pm
Saturday	9am - 5:30pm

Telephone

+13473350686

Website

http://greenwoodcine.com/

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