Peter Cunicelli Studios

Peter Cunicelli Studios There is no such thing as failure. There's just a chance to learn a good lesson.

I unloaded the kiln yesterday. Everything turned out perfectly! The white with red undertones is, “Why would I go back?”...
05/15/2026

I unloaded the kiln yesterday. Everything turned out perfectly! The white with red undertones is, “Why would I go back?” The red one is “Bertha”, a commission, and finally, “Clint”. He has his dark side! There are two vases in there too.

Meet Clint. He was headed to the reclaim pile but I had a second look. In the early 90s, late 1900s 😂, I was with a frie...
05/08/2026

Meet Clint. He was headed to the reclaim pile but I had a second look. In the early 90s, late 1900s 😂, I was with a friend in DC, walking around. We happened on a movie shoot, standing behind Clint Eastwood’s chair. He came over, talked to the small group of us. He was very nice. The thing I noticed was that his head was so big, disproportionately. Naming my work is a new thing. I struggled with this name. Then when walking away from it, I looked again and saw the big head.

Evolution of a piece. This is holding up a firing, but it’s only going to finish when it’s finished. It’s holding up a c...
04/23/2026

Evolution of a piece. This is holding up a firing, but it’s only going to finish when it’s finished. It’s holding up a commission. Don’t point, don’t scare it.

covetgallery

Get Used to It.2026This is long. Rachel Romano helped me out quite a bit with the narrative. This piece serves as a meta...
03/26/2026

Get Used to It.
2026

This is long. Rachel Romano helped me out quite a bit with the narrative.

This piece serves as a metaphor for our resilience in a fractured society. It embodies our strength, beauty, and the celebration of our differences.

In stark contrast, the twisted form, slightly off-center and seemingly unbalanced, represents the opposite. It symbolizes the liberation of individuality and our collective ascent towards a harmonious flow.

The broken lid signifies societal norms that demand reevaluation, restructuring, and healing. It serves as a reminder that we must confront and rectify the damage we’ve inflicted upon ourselves and others.

I dedicated an entire side to the additions to the original flag. This is a call to my cis, white LGB brothers and sisters: trans, Black, and brown people are not only integral to our community but also a crucial part of it. The white on that side is worn and faded, symbolizing the passage of time and the enduring impact of our struggles. I chose this side because it’s the highest, representing our aspirations and the heights we’ve achieved. I drew inspiration from Marsha P Johnson and Sylvia Rivera, whose contributions were pivotal in our fight for equality.

The artwork can be presented in two ways. One option shows society on the side, still representing their separation from those they perceive as unacceptablely different. Alternatively, the lid can be placed on the piece, symbolizing unity. However, their brokenness remains as a scar, a constant reminder of their past and the challenges they’ve overcome.

Join me in Pittsburgh next weekend! It’s going to be a wonderful show!
03/24/2026

Join me in Pittsburgh next weekend! It’s going to be a wonderful show!

Handmade Arcade's Modern Craft Market will launch in March 2026 and will feature 150+ highly skilled, established makers using traditional handcraft skills to design and produce handmade, contemporary goods.

New photos. I took these myself. I was supposed to get these to the photographer today. But, alas, Mother Nature got in ...
02/23/2026

New photos. I took these myself. I was supposed to get these to the photographer today. But, alas, Mother Nature got in the way.
Innorder of appearance: Keep It To Yourself, Mood Swings, Wind Me Up and Put a Lid On It, On My Best Behavior, Pitcher, My Best Facebook Life, N**e, Turbulent, It’s The Red

To get dimensions, see alternate views, and read descriptions, click here

https://www.petercunicelli.com/gallery-1

02/13/2026

This is about 9.5 hours of work, all bundled up in 2:46 minutes. You m going to try to document my work like this. For the next one, I’ll adjust the camera position. But for this one it’s going to stay like this. I definitely am calling this, “On My Best Behavior”. As I’m making it, I realize I’m doing everything like the public is watching. I’ve always been reticent to let anyone see how I work. I’m not formally trained in this. But a teacher and friend, a very wise woman, responded to my question, “am I doing this right”, with, “does it work? Yes? Then you’re doing it right”. I’d say I’m about 3/4 of the way finished.

I’ll be getting a professional shot of this, “Keep it to yourself”, but here’s the last piece finished and in place.    ...
02/11/2026

I’ll be getting a professional shot of this, “Keep it to yourself”, but here’s the last piece finished and in place.

I just finished this piece this morning. It’s in the drying room. “Keep it to yourself” is my cautionary tale of avoidin...
01/25/2026

I just finished this piece this morning. It’s in the drying room. “Keep it to yourself” is my cautionary tale of avoiding over sharing. Not everyone should have the privilege of my innermost thoughts. Outside it’s smooth and flowing. Inside I left it really, really rough. It’s on feet to kind of be tiptoeing. I have a glaze that’ll accentuate all the roughness inside. I haven’t decided what the outside

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3510 Scotts Lane, #110
Philadelphia, PA
19129

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