08/13/2026
Have you ever noticed how different the Murray looks compared to the buildings around it? It comes down to the style — Streamline Moderne — and the city that inspired it: El Paso.
In the mid-1930s, El Paso was in the middle of a real building boom, putting up some of the most impressive Art Deco and Moderne buildings in the Southwest — courthouses, commercial towers, civic landmarks defined by clean lines and modern materials. Silver City businessman W.D. Murray wanted the most modern hotel in the region, so he looked to that same city for his architect: Percy McGhee, an El Paso-based designer working right in the middle of that wave.
Streamline Moderne itself was a departure from typical decorated Art Deco style, it stripped things down: smooth walls, clean horizontal lines, curved corners, all borrowed from the speed and efficiency of trains, ships, and airplanes. Function was the beauty. That's what makes the Murray genuinely one of a kind for a town this size — nothing else downtown looks quite like it, because nothing else downtown was designed by an architect pulling directly from El Paso's cutting edge.
You can see it everywhere at the Murray:
🔹 The glass block tower — that vertical strip running down the front isn't just decorative. Glass block had only been introduced to the American public in 1933, at Chicago's World's Fair. Five years later, it was on the Murray's façade — possibly one of the earliest uses of the material in all of New Mexico.
🔹 Curves everywhere — step into the lobby and you'll see it in the details: rounded corners, sweeping lines, soft curves replacing hard.
🔹 Stained glass porticos — a quieter, more elegant touch that adds warmth and color to all that streamlined geometry.
Built in 1938, at five stories the Murray was the tallest building in town — a bold, modern statement as Silver City climbed out of the Great Depression.
📍 The Murray Hotel — Silver City's Streamline Moderne landmark since 1938, born from El Paso's cutting edge.