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2D House Commercial Video Studio & Rental House.

  guest of the week Maria De Sanctis And her inspiration: the 1953 classic Roman Holiday.More than anything, I want to c...
09/04/2026

guest of the week Maria De Sanctis
And her inspiration: the 1953 classic Roman Holiday.

More than anything, I want to create stories that are fun to watch. I love the kind of films that make you want to live inside them. I’m drawn to captivating settings, magnetic characters, and a playful tone. I’m inspired by art, but just as much by life, by beautiful colours, raw energy, and the little moments you almost miss. The films I love couldn’t be more different, from Roman Holiday and Harry Potter to The Truman Show and The Parent Trap (which I am not ashamed to admit I love). Different worlds, different styles, same magic.

For me, Roman Holiday has all of that magic. Rome isn’t just a spectacular backdrop; it becomes part of the adventure and a character itself. It never feels too polished, and there’s this mix of romance, humour, spontaneity, and real human emotion that makes the whole thing feel alive. It’s charming, funny, and imperfectly perfect.

That’s the feeling I’m chasing.

09/03/2026

Step-by-step guide to shooting a fairy tale in Mirage LED Volume. To get this cinematic feel, mix amazing cinematography, great production design and 2.5D technology in Mirage Volume

Spot Title: Conveniently Far, Far Away
Client: Mandy's Salads in collaboration with Uber Eats

Writer & Director: Maria De Sanctis
Executive Producer: Dana Klyszejko at Off Screen Romance
Producers: Vanessa Gloux & Piper Ainsworth twogoodproducers

Casting Director: Jesse Griffiths Casting
Prince Charming: Kevin Powell, Aspiring Artists Management
Princess: Andini, Play Management
Delivery Courier: Ben Skipper, Talent House

1st AD: Sarah Kravetz
Script Supervisor: Gretchen Somerfield

Virtual Production: 2D House
James Hughes James Hughes,
Conor McNeilly Conor,
Fraser McKenzie 𝔉𝔯𝔞𝔰𝔢𝔯

DP: Vinit Borrison with SESLER
1st AC: Joseph Chan
2nd AC: Raghav Khanna
Gaffer: Mick Reynolds
Best Electric: Steve Brockerville
Electrics: Brett Townly, Chuck Warren
Key Grip: Derek Teakle
Best Boy Grip: Ailistair Dempsey
Grip: Jesse Bertrand, Paul Riikonen
VTR/DMT: Peter Hatch

Production Design: Kate Ferry Kate Ferry
Props Buyer: Emmelia Gordon
Lead Dresser: Kristina Masterson
Prop Master: Pascal Bennett
Set Dressers: Taylor Gilbert, Kelly Heeley, Maiya Parker
Props Assistant: Jordan Brown
Set Construction: Crux

Wardrobe Stylist: Heidi Frontel
Wardrobe Assistant: Lisa Kovacs

HMUA: stephanie george
HMU Assistant: Lacey Day

Sound Mixer: Bloor Street Sound & James Lazarenko - Location Sound Services
Boom Op: Marco Furgiuele

BTS DP: Danny Patterson

PA: Jodianne Beckford
PA: Aiden White
PA: Lucy Pelletier

Editor: mr_rankovic
Assistant Editor: Sonya Ghandi
Colour: Roslyn Di Sisto | Colorist at Royal Muster
Graphic Design: Caroline Sierra Bornais
VFX & Online: luke bellissimo
Audio: Dave Henriques East Line Audio

The widest full-frame 1.5x anamorphic prime on the market. Now at 2D House!Atlas Lens Co. 24mm T2.2 1.5x Mercury series ...
08/28/2026

The widest full-frame 1.5x anamorphic prime on the market. Now at 2D House!
Atlas Lens Co. 24mm T2.2 1.5x Mercury series anamorphic prime

The Atlas Mercury 24mm — a 1.5x full-frame anamorphic prime, and the widest focal length in the Mercury line. It pulls the horizontal angle of view of an 18mm spherical, 132° across the frame, with the golden flares, oval bokeh, and near-zero chromatic aberration the series is known for — in a housing about half the size and weight of a typical anamorphic.

7-lens set: 24, 36, 42, 54, 72, 95, 138mm is available for rent at 2D House

08/25/2026

Step-by-step instructions on how to make a group shot having only two talents with Motion Control and some VFX magic from REACTIV

Using MultiDyne Robotics and Motion Control Cinebot Mini and ARRI Alexa 35 Xtreme

2D House Motion Control team:
MoCo Operator: Jerry Andrews Jerry Andrews
MoCo Technician: Matt Beercraft Matt Beecraft

Directed by Alon Isocianu
Producer: ADRIAN CHEUNG
DOP: Luke McCutcheon
VFX Supervisor: jakedofo
AD: Billy Shand
Mirage Volume Op: James Hughes James Hughes
Mirage Volume Specialiist: Conor McNeilly Conor
Volume Technician: Fraser Mckenzie 𝔉𝔯𝔞𝔰𝔢𝔯
1st AC: Shane Pikelin
DIT/VTR: Pete Hatch
Gaffer: Alex Poutiainen
Best Boy Electric: Matt Witty
3rd Electric: Nic Keung
Key Grip: Dexter Calleja
Best Boy Grip: Vats Bhargav
Grip: Zak Rist, Michael Arena
Storyboards: Dave Franciosa 🇨🇦
Makeup/Hair: L I S A V E L L A - Makeup & Hair Artist
Wardrobe Stylist: Heidi Frontel
Set PA: Riley Marini
Set PA: Sukhada K
Craft Attendant: Arthur Young
Medic: Mathieu Holt
BTS Photographer: Evan Seccombe
Talent 1: Delonte Hood
Talent 2: Kevin A Courtney

Creative studio & VFX: REACTIV
EP: Anna
CD: Alon Isocianu
Editor & Compositor: jakedofo
3D Design & Animation: FUQUA RENDERS
Matchmover & Rotomation: E3D
Particle FX: Andrew

Color: Jason Zukowski at Fort York VFX

Music for DC: “Rise” by C y r u s R e y n o l d s

Post Audio: TA2 Sound + Music

08/25/2026

Step-by-step instructions on how to make a group shot having only two talents with Motion Control using MultiDyne Robotics and Motion Control Cinebot Mini and ARRI Alexa 35 Xtreme
and some VFX magic from REACTIV

2D House Motion Control team:
MoCo Operator: Jerry Andrews Jerry Andrews
MoCo Technician: Matt Beercraft Matt Beecraft

Directed by Alon Isocianu
Producer: ADRIAN CHEUNG
DOP: Luke McCutcheon
VFX Supervisor: jakedofo
AD: Billy Shand
Mirage Volume Op: James Hughes James Hughes
Mirage Volume Specialiist: Conor McNeilly Conor
Volume Technician: Fraser Mckenzie 𝔉𝔯𝔞𝔰𝔢𝔯
1st AC: Shane Pikelin
DIT/VTR: Pete Hatch
Gaffer: Alex Poutiainen
Best Boy Electric: Matt Witty
3rd Electric: Nic Keung
Key Grip: Dexter Calleja
Best Boy Grip: Vats Bhargav
Grip: Zak Rist, Michael Arena
Storyboards: Dave Franciosa 🇨🇦
Makeup/Hair: L I S A V E L L A - Makeup & Hair Artist
Wardrobe Stylist: Heidi Frontel
Set PA: Riley Marini
Set PA: Sukhada K
Craft Attendant: Arthur Young
Medic: Mathieu Holt
BTS Photographer: Evan Seccombe
Talent 1: Delonte Hood
Talent 2: Kevin A Courtney

Creative studio & VFX: REACTIV
EP: Anna
CD: Alon Isocianu
Editor & Compositor: jakedofo
3D Design & Animation: FUQUA RENDERS
Matchmover & Rotomation: E3D
Particle FX: Andrew

Color: Jason Zukowski at Fort York VFX

Music for DC: “Rise” by C y r u s R e y n o l d s

Post Audio: TA2 Sound + Music

08/25/2026

Step-by-step instructions on how to shoot a great commercial with Motion Control using MultiDyne Robotics and Motion Control Cinebot Mini and ARRI Alexa 35 Xtreme 2D House

Directed by Alon Isocianu
Producer: ADRIAN CHEUNG
DOP: Luke McCutcheon
VFX Supervisor: jakedofo
AD: Billy Shand
Mirage Volume Op: James Hughes
Volume Technician: Fraser Mckenzie
1st AC: Shane Pikelin
DIT/VTR: Pete Hatch
Moco Operator: Jerry Andrews Jerry Andrews
Gaffer: Alex Poutiainen
Best Boy Electric: Matt Witty
3rd Electric: Nic Keung
Key Grip: Dexter Calleja
Best Boy Grip: Vats Bhargav
Grip: Zak Rist, Michael Arena
Storyboards: Dave Franciosa 🇨🇦
Makeup/Hair: L I S A V E L L A - Makeup & Hair Artist
Wardrobe Stylist: Heidi Frontel
Set PA: Riley Marini
Set PA: Sukhada K
Craft Attendant: Arthur Young
Medic: Mathieu Holt
BTS Photographer: Evan Seccombe
Talent 1: Delonte Hood
Talent 2: Kevin A Courtney

Creative studio & VFX: REACTIV
EP: Anna
CD: Alon Isocianu
Editor & Compositor: jakedofo
3D Design & Animation: FUQUA RENDERS
Matchmover & Rotomation: E3D
Particle FX: Andrew

Color: Jason Zukowski at Fort York VFX

Music for DC: “Rise” by C y r u s R e y n o l d s

Post Audio: TA2 Sound + Music

08/24/2026

Step-by-step instructions on how to shoot a great commercial in Mirage LED Volume 2D House

Directed by Alon Isocianu
Producer: ADRIAN CHEUNG
DOP: Luke McCutcheon
VFX Supervisor: jakedofo
AD: Billy Shand
Mirage Volume Op: James Hughes
Volume Technician: Fraser Mckenzie
1st AC: Shane Pikelin
DIT/VTR: Pete Hatch
Moco Operator: Jerry Andrews
Gaffer: Alex Poutiainen
Best Boy Electric: Matt Witty
3rd Electric: Nic Keung
Key Grip: Dexter Calleja
Best Boy Grip: Vats Bhargav
Grip: Zak Rist, Michael Arena
Storyboards: Dave Franciosa 🇨🇦
Makeup/Hair: L I S A V E L L A - Makeup & Hair Artist
Wardrobe Stylist: Heidi Frontel
Set PA: Riley Marini
Set PA: Sukhada K
Craft Attendant: Arthur Young
Medic: Mathieu Holt
BTS Photographer: Evan Seccombe
Talent 1: Delonte Hood
Talent 2: Kevin A Courtney

Creative studio & VFX: REACTIV
EP: Anna
CD: Alon Isocianu
Editor & Compositor: jakedofo
3D Design & Animation: FUQUA RENDERS
Matchmover & Rotomation: E3D
Particle FX: Andrew

Color: Jason Zukowski at Fort York VFX

Music for DC: “Rise” by C y r u s R e y n o l d s

Post Audio: TA2 Sound + Music

   IB(E Optics GmbH Raptorscope FFOne of the most unique features of the Raptorscope is its 360° rotating image, avoidin...
08/20/2026

IB(E Optics GmbH Raptorscope FF

One of the most unique features of the Raptorscope is its 360° rotating image, avoiding rotation of the whole camera system.

Pan and Tilt features make camera rigging easier in tabletop setups, tight spaces, and low-angle positioning.

More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)

⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 at S35 (35mm)

⚡️Camera Mount: UMS PL Mount

⚡️Focus: Near the camera. 180° Rotation

⚡️Iris: Near the camera. 90° Rotation

⚡️Max. Image Diameter: +44 mm / +1.73’’

⚡️Length: (Fl**ge to Front) 32,3 cm / 12.7“ (PL to M version)

⚡️Weight: 4,4 kg / 9,8 lb

⚡️Multiple ¼ Tread for standard lens support

⚡️Front mounts: Leica M, PL, LPL

https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio

Setup: ZEISS Camera Lenses Supreme Prime 50 T1.5 + IB(E Optics GmbH Raptorscope + Blackmagic Design Ursa Cine 12K LF + Grip Factory Munich (GFM) Primo Dolly

Address

230 New Toronto Unit 1
Toronto, ON
L5A3V3

Opening Hours

Monday 9am - 5:30pm
Tuesday 9am - 5:30pm
Wednesday 9am - 5:30pm
Thursday 9am - 5:30pm
Friday 9am - 5:30pm

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