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OLD FAST GLASS - Cinema Lens Rentals

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OLD FAST GLASS - Cinema Lens Rentals

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OLD FAST GLASS is a Los Angeles based motion picture camera rental company, focusing on vintage cine

FULL LIST OF LENSES (Email for prices)

- ANAMORPHIC PRIMES -

ATLAS LENS CO. ANAMORPHIC PRIMES
32mm T2
40mm T2
50mm T2
65mm T2
80mm T2
100mm T2

CINEOVISION HIGH SPEED ANAMORPHIC PRIMES
25mm T1.9
35mm T1.6
50mm T1.4
85mm T1.4

CINEOVISION STANDARD SPEED PRIMES
35mm T1.4
50mm T2.3
85mm T2.3

KOWA PROMINAR ANAMORPHIC PRIMES
32mm T2.3 (with adapter)
40mm T2.3
50mm T2.3
75mm T2.8
100mm T3.4

KOWA PROMINAR ANAMORPHIC PRIMES - REHOUSED BY MIRRORSCOPE
30mm T2.3 (with adapter)
40mm T2.3
50mm T2.3
75mm T2.8
100mm T3.4

LOMO / COOKE HYBRID ROUND FRONT ANAMORPHIC PRIMES
35mm T 2.5
50mm T 2.3
75mm T2.3
100mm T 2.3

NIPPON SCOPE ANAMORPHIC PRIMES
40mm T2.3
50mm T2.1
85mm T2.2

TODD AO ANAMORPHIC PRIMES
35mm T1.4
38mm T2.3
55mm T1.3
85mm T1.4

- ANAMORPHIC ZOOM -

LOMO 40-120mm T3.1 (f2.5)

- SPHERICAL PRIMES -

CANON K-35 PRIMES - REHOUSED BY TLS (Full Frame)
18mm T1.5 Canon K-35
24mm T1.5 Canon K-35
35mm T1.4 Canon K-35
55mm T1.4 Canon K-35
85mm T1.4 Canon K-35

CANON FD PRIMES - REHOUSED BY TLS (Full Frame)
14mm f2.8
20mm f2.8
24mm f1.4
28mm f2
35mm f2
55mm f1.2
85mm f1.2
100mm f2
135mm f2
300mm f2.8

COOKE SPEED PANCHROS - REHOUSED BY TLS
18mm T2.2
25mm T2.2
32mm T2.3
40mm T2.3
50mm T2.3
75mm T2.3
100mm T2.8

KOWA CINE PROMINAR SPHERICAL PRIMES - REHOUSED BY TLS
15mm T4
20mm T2.6
25mm T2.3
32mm T2.3
40mm T2.3
50mm T2.3
75mm T2.3
100mm T2.6

KOWA CINE FF PRIMES - REHOUSED BY WHITEPOINT OPTICS (Full Frame)
19mm T4
28mm T3.6
35mm T2.9
50mm T1.9
100mm T3.6
135mm T4
200mm T4

LEICA R - REHOUSED BY GL OPTICS (MKIV)
15mm T2.9
19mm T2.9
24mm T2.9
28mm T2.9
35mm T1.5
50mm T1.5
60mm T2.9
80mm T1.5
100mm T2.9
135mm T2.9
180mm T2.9
280mm T2.9

LOMO SUPER SPEED PRIMES
18mm T3
22mm T1.5
28mm T1.3
35mm T1.5
50mm T1.3
75mm T1.5
100mm T2.1

NIKON AIS PRIMES - REHOUSED BY ZERO OPTIK (Full Frame)
15mm T4
20mm T3
24mm T2.2
35mm T1.5
50mm T1.3
58mm T1.3
85mm T1.5
135mm T2.1

RICHARD GALE OPTICS CLAVIUS PRIMES
22mm f2
28mm f2
38mm f2
58mm f2
88mm f2

ZEISS SUPER SPEED / STANDARD SPEED PRIMES
- 18mm T1.3
- 25mm T1.3
- 35mm T1.3
- 50mm T1.3
- 65mm T1.3
- 85mm T1.3

ZEISS STANDARD SPEED PRIMES
14mm T2.1
16mm T2.1
24mm T2.1
32mm T2.1
50mm T2.1
85mm T2.1
135mm T2.1

- SPHERICAL ZOOMS -

Angenieux EZ 15-40mm T2 / 22-60mm T3 (Full Frame)
Angenieux EZ 30-90mm T2 / 45-135mm T3 (Full Frame)
Cooke 18-100mm T3
Cooke 20-60mm T3.1
Cooke 25-250mm T3.9
Fujinon 19-90mm T2.9
Zeiss 15-30mm T2.9 (Full Frame)
Zeiss 28-80mm T 2.9 (Full Frame)
Zeiss 70-200mm T2.9 (Full Frame)
Focus Optics Ruby 14-24mm T2.8 (Full Frame)
GL Optics 11-20mm T3
Sigma Cine 18-35mm T2

- SUPER 16mm PRIMES -

Century Precision Optics 4.5mm T1.9
Century Precision Optics 6mm T1.9
Optica Elite 7mm T1.3
Zeiss Super Speed 9.5mm T1.3
Zeiss Super Speed 12mm T1.3
Zeiss Super Speed 16mm T1.3
Zeiss Super Speed 25mm T1.3
Zeiss Super Speed 50mm T1.3

- SUPER 16mm ZOOMS -

Canon 8-64mm T2.4 Super-16
Canon 10.5-210mm T2.4 Super-16
Canon 11-165mm T2.5
Cooke 10-30mm T1.6

- EF MOUNT LENSES -

NIKON CINE-MODIFIED LENSES (Full Frame)
Nikon 15mm f 3.5
Nikon 20mm f 2.8
Nikon 24mm f 2
Nikon 28mm f 2
Nikon 35mm f 1.4
Nikon 50mm f 1.2
Nikon 85mm f 1.4
Nikon 105mm f 1.8
Nikon 135mm f 2
Nikon 180mm f 2.8

10/15/2026

We have both ARRI 416 and 416 HS (High-Speed) kits available at OFG. The 416 HS allows you to shoot up to 150 fps. Our kits have IndieASSIST HD IVS, Elokuva cage, and Gold Mount battery plates. We are adding more Super 16mm glass to our collection, including our brand new TLS rehoused S16mm Zeiss Super Speeds.

One thing we love about these new TLS lenses, you can pair them with our TLS S35 Zeiss Super Speeds, and you have a set for 16mm that includes 9.5, 12, 16, 18, 25, 35, 50, 65, 85 - all T1.3, all with new 16-blade circular irises, all with matching 95mm fronts, and matching gear positions for quick lens changes.

Multiple ARRI 416 packages, and so many amazing Super 16mm lens options available to rent.

10/13/2026

Beautiful work from cinematographer Max Goldberg for BACKOPS - “DON’T”

Max paired our Ancient Optics STATERA Anamorphic primes with Sony Venice 2. STATERA are full frame 1.5x squeeze anamorphic lenses that are the perfect balance of modern performance and classic anamorphic character. When paired with the Venice 2 shooting the full 3:2 open gate sensor, that gives you a final 2.25:1 aspect ratio, making it easy to finish 2:1 or 2.40:1 with minimal cropping.

Director: Ryan Gray
EP: Mark Philip
Producer: Sydney Helsel
Production Coordinator: Marshall
Production: Push Record

1st AD: David Herrera
Director’s Assistant: William Domiciano
PA: DJ Tinaz

DP: Max Goldberg
1st AC: Matthew Sumney
2nd AC: Brandon Szajner
Sound Mixer: Sage Bilderback
Gaffer: Robert He-McQueeney
BBE: Vincent Valentin
SLT: Donald Nam
Key Grip: Thorn
BBG: gearhead_351
Grip: Bruce Wolf

Techno Crane: Telescoping Camera Cranes
Crane Op: Corey Kiefer
Crane Tech: Brandon Thorne
Remote Head: Christian Hurley

Set Designer: Alen Stubbs
Set Dressers: Aidan James Hansen Ryan McElligott
HMU: Makeup Hair Artist Los Angeles
Wardrobe: Reina Virlene Davies
Wardrobe Assistant: Bella Davies

Cast: Tim Davis Justin Titus

Post House: Gray Studios
Editor: Ryan Gray
Color: Tyler Roth Company 3
Sound Design: Chris Fleming

10/12/2026

Beautiful work from cinematographer Thomas Simon for Oliver Peoples “Twice Upon A Time.” Thomas paired TRIBE7 Blackwing7 T-Tuned primes with Alexa Mini for this one.

Production: Photobomb Collective
Producer: David Newman
Director/DP: Thomas Simon
1st AC: AJ Kneip
Gaffer: Robert Oliva
Key Grip: Jeff Baker

NEER
Oliver Peoples

10/10/2026

If you are able to donate, please help out filmmaker and lens tech Serghei Malii Vintage4Film | Cinematic Vintage Lenses / PHOTO VIDEO PRODUCTION VALENCIA ALICANTE BARCELONA

In a recent fire, he lost his workshop, camera equipment, tools, hard drives, edit station, and collection of vintage lenses. There is a Go Fund Me set up for donations. On behalf of Serghei, thank you for the support.

https://www.gofundme.com/f/fire-destroyed-my-home-film-gear-and-lens-workshop?attribution_id=sl:983b49ac-0ffb-4891-93a1-62a8029d1f8f&lang=en_US&ts=1790616343&utm_campaign=man_sharesheet_de&utm_content=amp30-treatment-7&utm_medium=customer&utm_source=copy_link

10/09/2026

Beautiful work from cinematographer Tucker Phillips for “Nike FA26.” Tucker paired one of our ARRI Alexa 35 Xtreme kits with vintage Fujinon 28-280mm, rehoused Zeiss Super Speeds, Optex 4mm, Laowa 9mm, and DZO Xtract 18-28mm Probe Zoom for this spot.

DP: Tucker Phillips
1st ac: manchin
2nd ac: Duy Nguyen
Dit: Isaac Guy Colin
Gaffer: Chad Dougherty
Key grip: Cody Ingham
Best electric: Ryan Apley
Art:
Stylist: Jenny Haapala
1st AD: M Dot Jones

Senior director: Kimou Meyer
Art director: Colin Matsui 📸 .mekita
Senior creative producer: Garret Gooch
Creative producer: Andrew Hollandsworth

Production co: BaM Productions Inc.
Agency: supermorebetter
Agency art director: G R A C E P O T T S
Executive creative director: Eric Duvauchelle

Sports tech: Bec Taylor Meagan Kong

Music: Pour Le Sport Recording Co. Peter M. Murray 11th House Agency

10/08/2026

NEW GEAR! Some big updates to our AATON Penelope kits!
• New Flicker-Free HD IVS ✅
• New OFG Customs Cage ✅
• New OFG Customs Dual Gold Mount Battery Plates ✅
• New OFG Customs Power Distro Module ✅

The new HD video taps are truly flicker free, and deliver a sharp image for monitoring and playback.

Our new dual OFG Customs Gold Mount Battery Plates let you use industry standard Gold Mount batteries and you can hot-swap without losing power to the camera. Each battery plate has 1 x D-Tap and 2 x 2-Pin LEMO ports for powering accessories. In total you can have up to 2 x D-Tap and 6 x 2-Pin LEMO ports with the new power module.

Our cameras now have our OFG Customs cage with integrated Power Distribution Module. The cage gives you many mounting points for accessories, without making the camera taller or wider. The new OFG Customs Top Plate allows you the ability to attach almost any top handle you’d like, and it even has spots to store the shutter and pitch adjustment tools. If you prefer, you can remove the top plate and use the original AATON top handle.

These are the most complete and most capable AATON Penelope kits you will find anywhere. We have 2 bodies and 10 mags in-house! 3-Perf and 2-Perf movements for both.

Available now, only at OLD FAST GLASS.

10/02/2026

NEW GEAR! We are thrilled to offer the very first set of TLS rehoused S16mm Zeiss Super Speeds! The original legendary Zeiss optics have been beautifully rehoused by TLS.

One of the major changes we requested from TLS was to replace the original triangular iris with new 16-blade circular irises. Not only does this mean bokeh stays circular when stopped down, but it also means these lenses perfectly match our S35 TLS Zeiss Super Speeds! So you can now add the S35 14mm, 18mm, 35mm, 65mm, and 85mm to have a huge 10 lens set of Zeiss Super speeds from 9.5mm to 85mm, all T1.3, all with the same iris, same 95mm front (except for the 14mm), same gear positions, and most importantly, the same look.

We rehoused these lenses not only to swap out the iris, but also to improve the mechanics. The new TLS housings have internal focus. So you won’t have the image shift or binding issues you get with original Zeiss Super Speeds, and minimum focus was improved on the 50mm.

For OFG it’s not just about having a large variety of lenses, it’s also about having the best lens options possible for our clients. Shooting 16mm film means having fewer lens options than S35 or FF. We want to change that. These are truly special lenses, and they deserve no-compromise housings as good as the optics inside.

We will continue to expand our inventory of Super 16mm lenses. These and many more available to rent from Old Fast Glass.

09/25/2026

We are excited to share frames from the first episode of SIGNAL, a new live music performance series presented by Arthouse Film Lab (AFL)
This is Episode 1 – “PASSING CRAZE” by 𝕬𝖓𝖓𝖆𝖍𝖘𝖙𝖆𝖘𝖎𝖆™

Beautiful work from cinematographer Andrew ‘Drew’ Aiello and director Jackie Radinsky - Drew paired one of our ARRI SR3 kits with the vintage Cooke 10-30mm T1.6. They chose Kodak Motion Picture Film Vision 3 250D 16mm stock. Old Fast Glass is thrilled to support these artists and this amazing series, and we can’t wait to see more episodes.

Director: Jackie Radinsky Jackie Radinsky

Executive Producer: Sidney Baptista Arthouse Arthouse Film Lab (AFL)
Executive Producer/Creative Director: Imani Lindsey imani
Associate Producer/Cinematographer:

B Cam Op: Philip Jackson Phillip Jackson
A Cam 1st AC: Christina Ortiz Christina Ortiz Vol. III
B Cam 1st AC: Jeffrey Carolan, SOC Jeffrey Carolan, SOC
2nd AC: Mikaela “Micky” Thorne Mikaela Thorne
Loader: Chastin Montiel Chastin Noblett - Montiel

Gaffer: Tony Jou Tony Jou
BBE: Derek Wilds Derek M. Wilds
Rigging BBE: David Goold David Goold

Key Grip: Kevin Chiu Choo Choo Chui
Dolly Grip: Chris Pevey Christopher Pevey
Rigging BBG: Lofton Mason Lofton Mason

Colorist: J. Cody Baker J. Cody Baker

Camera equipment provided by: Old Fast Glass
Film provided by: Kodak Kodak Motion Picture Film
Lighting equipment provided by: TRVST TRVST LA
Grip equipment provided by: The Grip House The Grip House
Film processing and scanning: Fotokem FotoKem
Post color: Company 3 Company 3

09/22/2026

UPDATE! Yes, that is a TAMASHII prime mounted to a Ronin 4D, using DJI’s follow focus system. We can fly many ZERØ OPTIK, LLC lenses on our DJI Ronin 4D kits. It’s possible thanks to some small modifications and customs pieces. Many Zero Optik primes are small and light enough to use, including many focal lengths from these Zero Optik sets:
• TAMASHII
• Canon FD
• Olympus OM
• Pentax Super Takumar
• B&L Baltar
• B&L Ultra Baltar

We have MANY great lens options for this camera system with more on the way!

09/21/2026

Beautiful work from working with director Saddiq Abubakar for “Hoopers Haiku.” Quinn paired an ARRIFLEX 435 4-Perf with our rehoused Minolta Rokkor Primes. Quinn is always experimenting with different lenses for his film work, which is really inspiring. Filmmakers have more lens options than ever for 35mm film, and it’s exciting to see work like this.

These lenses were originally developed for 35mm still photography. Newly rehoused within the last few years as an Ancient Optics / GL Optics™ collaboration, these lenses are more than capable of delivering excellent results for motion picture film.

If you have a project coming up for 35mm, reach out. There are more lens options than ever for film. And of course we have the cameras too: ARRI LT (3P, 4P), ARRI 435 (3P, 4P), ARRI 235 (2P, 3P, 4P), AATON Penelope (2P, 3P).

Credits:
Director: Saddiq Abubakar
Cinematographer: Quinn Feldman
Production: Echobend
Producers: Quinn Feldman Quinn Cavin
EP: Zubin Anklesaria
Editor:
Colorist: gabe_jl_sanchez Quinn Feldman
Composer: Tim Aristil
Sound Design: Dustin Foster
Conformist: Dustin Foster
1st AC: Matthew Thomas Borek
Rollerblade Op Quinn Feldman
Camera and Lenses: Old Fast Glass
Development: FotoKem
Scanning: Origins Archival
Stock: Kodak Motion Picture Film Stock Janusz Kaminski’s garage
Format: 4 perf
250D, 500T, expired 200T

Address

11058 Randall Street
Sun Valley, CA
91352

Opening Hours

Monday	9am - 5pm
Tuesday	9am - 5am
Wednesday	9am - 5pm
Thursday	9am - 5pm
Friday	9am - 5pm

Telephone

+17472232343

Website

http://www.oldfastglass.com/

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